Numerous singers mix lyrics from both versions, and occasionally make direct lyric changes for example, in place of Cohen's "holy dove", Canadian-American singer Rufus Wainwright substituted "holy dark", while Canadian singer-songwriter Allison Crowe sang "holy ghost".Ĭohen's lyrical poetry and his view that "many different hallelujahs exist" is reflected in wide-ranging covers with very different intents or tones, allowing the song to be "melancholic, fragile, uplifting joyous" depending on the performer: The Welsh singer-songwriter John Cale, the first person to record a cover version of the song (in 1991), promoted a message of "soberness and sincerity" in contrast to Cohen's dispassionate tone the cover by Jeff Buckley, an American singer-songwriter, is more sorrowful and was described by Buckley as "a hallelujah to the orgasm" Crowe interpreted the song as a "very sexual" composition that discussed relationships Wainwright offered a "purifying and almost liturgical" interpretation and Guy Garvey of the British band Elbow made the hallelujah a "stately creature" and incorporated his religious interpretation of the song into his band's recordings.
įollowing his original 1984 studio-album version, Cohen performed the original song on his world tour in 1985, but live performances during his 19 tours almost invariably contained a quite different set of lyrics. His original version, as recorded on his album Various Positions, contains several biblical references, most notably evoking the stories of Samson and Delilah from the Book of Judges ("she cut your hair") as well as King David and Bathsheba ("you saw her bathing on the roof, her beauty and the moonlight overthrew you"). Ĭohen wrote around 80 draft verses for "Hallelujah", with one writing session at the Royalton Hotel in New York where he was reduced to sitting on the floor in his underwear, banging his head on the floor. Written in the key of C major, the chord progression matches lyrics from the song: "goes like this, the fourth, the fifth, the minor fall, and the major lift": C, F, G, A minor, F. "Hallelujah", in its original version, is in 12Ĩ time, which evokes both early rock and roll and gospel music. Problems playing these files? See media help.
In 2007, Sony BMG rereleased the album (subtitled "The Legacy Edition") with a live music video of the song. "Hallelujah" experienced renewed interest following Cohen's death in November 2016 and appeared on many international singles charts, including entering the American Billboard Hot 100 for the first time. The song has been used in film and television soundtracks and televised talent contests. Achieving little initial success, the song found greater popular acclaim through a recording by John Cale, which inspired a recording by Jeff Buckley.įollowing its increased popularity after being featured in the film Shrek (2001), many other arrangements have been performed in recordings and in concert, with over 300 versions known. It's not a cry you can hear at night, It's not somebody who's seen the light, It's a cold and it's a broken Hallelujah." Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984).
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(Chorus) Maybe there's a God above, And all I ever learned from love, Was how to shoot at someone who outdrew ya. (Chorus) There was a time you let me know What's really going on below, But now you never show it to me, do ya? I remember when I moved in you, Your holy dark was moving, too. It's a cold and it's a broken Hallelujah. (Chorus) Maybe I've been here before, I know this room, I've walked this floor. She tied you to the kitchen chair, She broke your throne, she cut your hair And from your lips she drew the Hallelujah. Her beauty and the moonlight overthrew ya. Additional Verses: Your faith was strong, you needed proof, You saw her bathing on the roof.
G Em Am The baffled king composing "Hallelujah" Chorus: F Am F C G C G7 Hallelujah, Hallelujah, Hallelujah, Hallelujah. F G7 C G7 But you don't really care for music, do ya? C F G It goes like this: The fourth, the fifth Am F The minor fall, the major lift. C Am I've heard there was a sacred chord C Am that David played, and it pleased the Lord.